Korn :: essays research papers

In the early 90s, gruelling music looked to be sledding the way of thedinosaurs Well-heeled Brit-pop and well-scrubbed pop-punk werethoroughly dominating the guitar-rock landscape, and the few surviving rare-school metall(a)ic element acts seemed hopelessly unable to adapt.But or sowhere within the vast, murky s out(p)herly California wasteland, adynamic new species was being born, a forward-thinking living creature thatdisregarded the mistakes of heavy bands past while meshing dark, urbanrhythms and low-tuned guitar gook with violent, expressionist blastsof hip-core noise. That and the wildly emotional vocals of JONATHAN,which alternated between a bourbon-smooth croon and a viscerally sharphowl, make for a revolutionary mix that redefined heavy rock better thananyone had in a decade. The result was a monster 1994 self-titled debutalbum that went solid platinum, and by the time 1996s Life Is greatwas released, this beast had a fanbase over two million strong--and a swarm of melodic imitators so large it threatened to saturate theplanet. It was time for a change of rules.Hence KORNs latest, greatest slab, aptly titled FOLLOW THE LEADER. Fromthe broadened musical and emotional scope to the much beefier productionvalues to the stunning pass through art courtesy of Spawn-creator ToddMcFarlane, FOLLOW THE LEADER is indeed an ambitious and profoundlysatisfying outing for the band. And while there is considerably more male plug surrounding this rightly anticipated disc, JONATHAN is quick to putthings in perspective."Our notwithstanding goal was to take our time on this album," he says. "Because Iknew we had it in us to do something great. To full integrate both(previous) albums and put out a record we could be proud of...we wantedto do some phat shit." "I think working with a new producer and acquittance into a new studio helpedus grow musically as a band," adds guitarist MUNKY. "All of us reallyhave that cease again about bei ng excited about a record...We all feellike we grew, like when you grow out of some old shoes your feet areall crammed in forever and you know you take in to buy a new pair, but youneed to save up the money to do it. We kind of saved up our confidenceand made that leap into our new shoes." Fans of old-school KORN neednt despair--the new shoes kick just as muchass as the old pair. "Freak On A Leash" is a molotov cocktail of get offhing, psychedelic guitar runs, hypno-groove bass grind, hip-hop jungle drumming, all sliced in two with an ingeniously placed scat linereminiscent of PEACHY opener "Twist." Then theres "Children Of The