Truth and Art: Keatss Ode on a Grecian Urn :: Ode on a Grecian Urn Essays

Keatss Ode on a classic Urn offers a paradoxical concept of debaucher. It describes the frozen debaucher portrayed on the Urn as brisker than reality, for its expiration is a locked impossibleness. The lovers kiss is sweeter when in waiting, and her timeless beauty and devotion are worth the kisss impossibility. Thus, the observation of beauty is more sweet than its reception, and objects in their prime are best just before their expiration. This verse form is reminiscent of Shakespeares sonnets in its zeal for permanent youth and disdain for times flow on youths beauty. Yet, after exclusively the desires for the Urns timeless youth and beauty (an impossibility in reality), the poet ends with, Beauty is truth, truth beauty-that is all / Ye know on earth, and all ye need to know. Keats objectifies and works to define beauty through his description of the Urn, or art in general. If the beauty found in the urn is an impossibility in reality, how can it be undeniable truth? La Bell e Dame sans Merci pull ahead complicates this question. Here, beauty is false trickery. The knight is pulled in by a fabulous creature whose beauty and pleasing actions draw him into her lair, where she leads him to tragic ending on the cold hills side. It can be deduced from this poem that Beauty is deceiving, and, consequently, not Truth. So what are we left with? Ode on a Grecian Urn implies that art represents Beauty. except this Beauty is impossible in the realm of reality it can altogether be in the unmoving atmosphere of an Urns surface. After four and a half stanzas supplying evidence of the scenes impossibility, the finishing lines inextricably link Beauty to Truth. The only way the art on the Urn can be viewed as having a place in reality, is the Urns physical timelessness When old climb on shall this generation waste, / Thou shalt remain.