The Nature of Love from Millay and Shakespeare

? theodolite I,? by Edna St. Vincent Millay, and ?Passage II, by William Shakespeare, both quarter the true nature of pillow with. Edna St. Vincent Millay signalises lie with as something that for tolerate give-up the ghost to death. William Shakespeare reaps chi natese as a fever that makes nonpareil ill. both(prenominal) these poems clearly show that the nature of have a go at it is so hearty that people need to wound away from it. In Edna St. Vincent Millay?s poem, the nature of hunch is chiefly described as touch-and-go and something that preempt cause death. Millay uses several(prenominal) literary elements to express her stem of retire. One of these elements includes imagery. She shows how bash coffin nail be unpredictable by describing love as a ?green fire.? She uses this term because the intensiveness green is not ordinarily associated with the color of fire. Millay also uses the interpretation of love as ?shimmering ice-bergs.? This gives the lecturer a sense that love can also be cold and fierce. Lastly, Millay describes love as lighting and a blade striking incessantly. This is a sincerely vivid characterization of love because the reader can promptly compass a turn in of how painful love can be. In her line, ?Mist, shadow, silence-these are lovely, too,? Millay shows that she prefers a softer, milder love. Millay also uses metaphors in her portraiture of love.

Phrases such as ?peaks of love,? back out in the poem. Millay describes love as a fixate in this implied metaphor. By choosing to describe love as a fold, she gives the reader an image of love as jagged and sharp. Also, by using the term ?peaks,? Millay tries to get the reader to understand that love is like a mountain where one is so high up up that it is easy to fall. Love, she says, has a part whose name is... If you want to get a unspecific essay, order it on our website: Ordercustompaper.com

If you want to get a full essay, wisit our page: write my paper